In Auto mode, just sing and VocalSynth will add voices to create chords, octaves, or doubles. In MIDI mode, play your optimum melody or harmony on a keyboard and VocalSynth automatically shifts your voice to those notes.
Pitch correction lets you do anything from subtle, reasonable correction to more extreme pitch-shifting effects.
A wave-shaping distortion with custom tones designed to enhance VocalSynth’s re-synthesis engines. The distortion module is great for either subtle overdrive or gnarly, harsh, high-gain distortion. It’s loud, it’s noisy, it’s great.
Filtering is a simple but effective way of adding character to your vocal. VocalSynth’s Filter includes our New York Low-Pass for a warm and buttery ’60s-style 4-pole ladder effect, Scream for resonant filtering and aggressive peaks and overdrive, or the Combo filter that combines both flat High-Pass and Low-Pass filters in a single sweepable control.
The hand-picked convolution speaker models bring out the full character of VocalSynth’s re-synthesis engines. Dial in amp convolutions and speaker emulations to enhance space and realism or find common special effects like telephone or radio voice. Choose the right space for your vocal.
An evolution of iZotope’s beat-repeating technology, just turn it up and immediately achieve the glitchy, funky dance track sounds you’ve been after. Shred takes part of the buffer and repeats it in interesting ways that add rhythmic range to your vocal-processing arsenal.
VocalSynth’s Delay is a wide stereo delay with just a bit of filtering for flavor. The Delay creates exciting spatial effects with panning movement, great for adding interest to an otherwise steady vocal track.