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Audio Post Tools
To clean up dialogue
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Free Audio Plug-ins
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Create & Design
BreakTweaker
Creative Bundle
DDLY Dynamic Delay
Iris 2
Mobius Filter
Stutter Edit
Trash 2 | Ultimate distortion plug-in
Vinyl
VocalSynth 2
Creative Suite
Master & Deliver
Ozone 8
Ozone 7 Elements
RX Loudness Control
Ozone Imager
Mix
Neutron 3
Insight 2 | Intelligent metering for music & post
Music Production Bundle 2
Nectar 3
Music Production Suite
Vocal Doubler
Visual Mixer
Repair & Edit
RX Post Production Suite 2
RX 7 Audio Editor
RX Post Production Suite 3
Bundles
Vocal Chain Bundle
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iZotope Everything Bundle
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Spire Studio
Exponential Audio Reverbs - iZotope
For Post
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Learn iZotope
iZotope Products
Ozone Tips & Tutorials
Neutron Tips & Tutorials
iZotope RX Tips & Tutorials
VocalSynth Tips & Tutorials
Neutrino Tips & Tutorials
Stutter Edit Tips & Tutorials
RX Loudness Control Tutorials
BreakTweaker Tips & Tutorials
Iris Tips & tutorials
Nectar Tips & Tutorials
Alloy Mixing Tips & Tutorials
Trash Tips & Tutorials
Insight Tips & Tutorials
DDLY Tips & Tutorials
Mobius Filter Tips & Tutorials
Exponential Audio Music and Post Production Tips
Music Production
Post Production
Audio Mastering
iZotope Blog
Mixing
15 Tips for Mixing Country Music with GRAMMY Winner Julian King
8 Common Compression Mistakes Music Producers Make
13 Tips for Mixing and Producing EDM
8 Tips for Mixing Rap and Hip-Hop
2-Minute Tips: Mixing, Mastering, and Music Production
What Is Tonal Balance in Mixing and Mastering?
A Glossary of Common and Confusing Mixing Terms
10 Tips for Better Mixes Through Panning
2 Basic Approaches to Mixing
7 Tips for Mixing Bass
7 Tips for Mixing Vocals
Expanding on Compression: 3 Overlooked Techniques for Improving Dynamic Range
4 Tracks to Reference for Mixing in 2018
What Separates a Demo from a Polished Mix?
7 Tips for Mixing Drums
7 Tips for Mixing Guitars
7 Tips for Mixing the Low End
How to Play a Mean Pinball with Neutron 2
5 Mixing Tips with Elijah Woods x Jamie Fine: iZotope Sessions
4 Types of Analog Compression—and Why They Matter in a Digital World
7 Tips for Adding Life to Dry, Boring Audio
Top Reasons to Upgrade from Alloy to Neutron
9 Ways to Get out of the Inevitable Mix Rut
1920s to Now: Comparing Tonal Balance in Popular Music
9 Tips for Managing a Large Session in your DAW
11 Tips for Mixing and Sound-Designing a Fiction Podcast
5 Songs with Great Vocal Mixes
3 Techniques for Handling Your Stereo Bus
6 Building Blocks of a Mix and How to Use Them
The Mixer's Guide to Loudness for Broadcast
10 Beginner Mistakes to Avoid When Mixing Music
How to Use Transient Shaper for Better Drum Breaks
Introducing Nectar Elements Vocal Mixing Plug-in
Why You Should Polish Vocals Before the Mix
10 Common Delay Mistakes Mixing Engineers Make
11 Mixing Tips for Panning Music with Intention
Types of Studio Monitors and Which to Choose for Home Studios
5 Approaches to Submixes
7 Tips for Using Subtractive EQ When Mixing Audio
Do You Need A Subwoofer to Mix Music?
6 Times Transient Shaping Beats Compression
Tips for Mix Bus Processing
Mixing Audio for Video, Part 1: Getting Started
What Is Mix Automation? Everything You've Been Too Afraid to Ask
Vocal Mixing Basics: How to Make Vocals Cut Through the Mix
Mixing Audio for Video, Part 2: Audio Post-Production Workflows
2 Approaches to Mixing Live Drums
6 Times to Use Multiple Reverbs in a Mix
Mixing Audio for Video, Part 3: the Tools of the Trade
8 Common Mistakes in Mid/side Mixing
Double Tracking: 2 Basic Vocal Doubling Techniques
10 Tips for Mixing Pop Music
4 Ways to Use iZotope Insight 2 for a Better Mix
Tips for Producing and Mixing with Headphones
Mixing Audio for Video, Part 4: Mixing Techniques
10 Home Recording Studio Hacks to Improve Listening
The Future of Audio Plug-in Design, ft. Nectar 3
Find Your Voice with Nectar 3 and VocalSynth 2
How to EQ Vocals: 9 Steps for EQing Lead Vox
Vocal Mixing: 6 Popular Styles of Vox in Pop and Rock Mixes
Mixing Vocals: How to Create Space for Vox
7 Ways to Get Unusual Vocal Effects with iZotope Plug-ins
Top 5 Pop Mixing Trends of 2018
8 Essential Tips for Editing Vocals
How to Mix Rap Vocals
5 Ways Inter-plugin Communication Streamlines Audio Mixing
Mixing Music: 4 Rules You Should Know When to Break
Mixing Vocals: What Makes a “Professional” Vocal Sound
EQ Tips: When to Boost and When to Cut
How to Prevent Ear Fatigue When Mixing Audio
Pros and Cons: Monitoring Options for Mixing
8 Tips for Mixing Your Song with Spire Studio
5 More Tips for Panning Music with Intention
The Basics of Convolution in Audio Production
5 Tips for Mixing High End
5 Mix Tips You Need to Improve Dynamic Range
When to Use Dynamic EQ In a Mix
What Separates a Demo from a Polished Mix: Part 2
4 Steps to a Polished Vocal Mix with the Vocal Bundle
Perfect Your Vocal Production with iZotope Audio Plug-ins
9 Types of Bass Parts and How to Mix Them
Gain Staging: What It Is and How to Do It
What Is Mix Depth? How to Create Front-Back Space
11 Tips to Fix Cheap Sounding Audio in the Mix
6 Ways to Use a Low Pass Filter When Mixing
6 Ways to Use a High Pass Filter When Mixing
10 Audio Tips from the iZotope Community
12 Common EQ Mistakes Mixing Engineers Make
5 Songs That Are Brilliantly Mixed and Mastered
6 Considerations for Mixing with Headphones or Studio Monitors
6 Tips for Mixing Good Ol’ Fashioned Rock and Roll
6 tips for mixing in surround
7 EQ Practices for Better Mixing
7 Tips for Mixing Live Recordings
8 Mixing Tips for Better Audio Masters
8 Tips for Taming Harsh Treble in the Mix
9 Common Reverb Mistakes Mixing Engineers Make
9 Tips for Mixing Jazz
Developing Inter-plugin Communication at iZotope
Don’t Let It Bring You Down: 7 Tips for Maintaining Perspective While Mixing
Focusing Your Mix With Frequency Ducking
Getting started mixing drums
Getting Started Mixing Vocals
How the Visual Mixer in Neutron 2 Will Change How You Mix Audio
How to Figure Out Your Audio Engineering Rate
How to Mix for Your Song Structure
Mantras For Mixing and Mastering
Mixing bass guitar: Tips for getting started
Mixing Drums With DDLY Dynamic Delay
Principles of Dynamics
Principles of Equalization
Reference Tracks: 5 Songs for Mixing And Mastering
Stereo Reconsidered Midside Thinking
The Many Splendors of Sidechaining
Top Reasons to Upgrade to Neutron 2
Charts to Understand Audio Signal Flow in a DAW
Using Compression to Help Vocals Sit in a Mix
What Is Frequency Masking?
Aux vs. Inserts: to Send or Not to Send?
5 Ways to Use Dynamic EQ with Sidechain
Essential Tips for Mixing Reverb
A History of Reverb in Music Production
Why Do My Mixes Sound Bad? 8 Tips to Douse the Flames
8 Creative Reverb Effects for Sound Design
5 Real-World Tips for Using iZotope Assistive Audio Technology
6 Tips for Learning a Reverb Plug-in
6 Tips for Using Reverb in Different Genres of Music
8 Reverb Tips: How to Manage Reverb-Heavy Mixes
Nectar or Neutron? When to Use Which in a Mix
5 Common Vocal Mixing Issues Nectar 3 Solves
6 Times to Automate EQ for Effect
6 Parallel Compression Mistakes in Mixing
4 Popular Mixing Reference Tracks, and Why They Work
Mono Mixing in Spire Studio
Top Reasons to Upgrade to Neutron 3
6 Tips to Improve the Tonal Balance of a Mix
8 Tips for Mixing Bass in Home Recording Studios
Creating a Cohesive Sampler Drum Kit
5 Tips for Mixing Your Own Music
8 Tips for a Balanced Mix: a Pro's Perspective
7 Tips for a Balanced Static Mix
9 Tips for Mixing if You're Not a Mixing Engineer
How to Mix a Song from Start to Finish
9 Tips for Using Sculptor in Neutron 3
8 Tips for Automating Neutron 3
5 Ways to Boost Bass in a Mix
9 Tips for Producing and Mixing House Music
5 Mixing Tips for Better Snare Drums
5 Ways to Use Visual Mixer in Your DAW Sessions
13 Tips for Using References While Mixing
6 Ways to Tame a Bright Mix
Using Neutron 3 To Speed Up Your Mixes
6 Tips for Widening the Stereo Image of a Mix
The Difference Between VCA and Sub-Groups in Mixing
What Is Soft Saturation and How Is It Used?
6 Beginner Mistakes with Sends and Return Effects
4 Unlikely Mixing Techniques
9 Tips for Using Reverb with Drums
Mix Busses 101: When, Why, and How to Group Tracks into a Bus
How to Mix Hi-Hats: 8 Tips for Added Energy
Making Metal: The Ins and Outs of Mixing Metal Sessions with Joe Barresi
Sound Design for VR with Martín Hernández
Mastering
Why Does My Recording Sound Bad?
Differences between Ozone 7 Elements and Ozone 7
How to Use Mid/Side Processing for Audio Mastering
Inside the presets of Ozone 7 Elements
What Is Spectral Shaping?
Remastering George Harrison's Catalogue: an Interview with Paul Hicks
Why iZotope Created the Tonal Balance Control Plug-in
Why iZotope Created the Master Assistant in Ozone 8
Top Reasons to Upgrade to Ozone 8
10 Steps to a Quick Master in Ozone
What Is Mastering and Why Is It Important?
What is Mid/Side Processing?
4 Mastering Techniques that Shouldn’t Have Worked But Did
10 Tips for Mastering if You're Not a Mastering Engineer
Genre in Mastering with 15 Professional Mastering Engineers, Part 1
15 Mastering Engineers Talk about Genre, Part 2: Processing Techniques
Genre in Mastering, Part 3: Workflows
Top Reasons to Upgrade from Ozone Elements to Ozone 8
An Introduction to Limiters (and How to Use Them)
What is Metering in Mixing and Mastering?
Audio Clipping and Creative Uses of Limiting
Why Upgrade to Insight 2?
What Is the Difference Between Mixing and Mastering?
Are You Listening? Episode 1: Audio Mastering Basics
Are You Listening? Episode 2: Your Listening Environment
Are You Listening? Episode 3: Compression in Mastering
Are You Listening? Episodes 4 and 5: Limiting in Mastering
4 Tips For Mastering Various Playback Systems
Mastering For Compressed Audio Formats
Mastering For Different Musical Genres
Multiband Compression Basics
Tips and Tricks For Mastering
Using A Spectrogram To Identify Audio Problems
Using Greg Calbi Presets to Achieve Audio Mastering Perfection
Why Do We Master Audio?
Are You Listening? Episode 6: EQ in Mastering
Mastering for Vinyl: Tips for Digital Mastering Engineers
Mastering for Vinyl: Conversations with the Pros
5 Creative Uses of iZotope RX in Audio Mastering
Automation in the Audio Mastering World: Leveling up Your Ozone 8 Skills with Tasteful Automation
How to Master an Album, and More Audio Mastering Questions Answered
5 Strategies to Master Your Own Mix
How to Master a Song with a Not-So-Perfect Sound
Classical Music: Recording, Mixing, and Mastering Fundamentals
What Is an Ideal Mastering Signal Chain?
Subtractive EQ: A Mastering Engineer's Not-So-Secret Weapon
Classical Music: A Walkthrough of Recording, Mixing, and Mastering an Album
Making Metal: How to Master Metal with Ian Shepherd
Music Production
11 Tips for Budgeting Your Production
Swing and Syncopation: Understanding DAW Groove
4 Ways to Make Your Synths Sound Dreamy and Retro With Trash 2
Finessing the Flanger: How to Create Beautiful and Weird Sounds
4 Essential Steps to Build Trust in Any Creative Relationship
Reflecting on Reverb: What It Is and How to Use It
3 Ways to Warp Vocals with VocalSynth
The Music Producer’s Guide to Backing Up Data
11 Creative Sidechain Compression Techniques
5 Ways to Use Delay to Enhance Your Track’s Groove
How to Transform Percussion Loops with Foley
How to Learn a Synthesizer in 3 Easy Steps
4 Ways to Get a Shoegaze Sound
Don't Blend In: 9 Ways to Create Unique Sounds
9 Songs that Changed the Way We Produce Vocals
Live Drums vs. Sampled Drums: When to Use Which
5 Essential Songs Using the Vocoder
White Noise, Filters, and Effects: How to Use Them Together
55 Essential Dos and Don'ts of Vocal Production
5 Basic Audio Effects Every Vocalist Should Know
Understanding Atmosphere in Music, and How to Create It
7 Bad Music Producer Habits and How to Fix Them
In a Creative Rut? Make a Song Using Oblique Strategies
Coming Soon: VocalSynth 2 and New Creative Suite
Get the Most from DAW Automation: 3 Creative Approaches
A Brief History of the Vocoder
The Making of Biovox in VocalSynth 2
Introducing Inter-plugin Communication in VocalSynth 2
Why Upgrade to VocalSynth 2?
Behind the Design Updates to VocalSynth 2
How These 5 Artists Use Negative Space in Music
5 Artists on the Cutting Edge of Immersive Live Sound
7 Music Production Challenges to Help Finish Your Songs
Creating Textures with Trash 2 for Industrial Music
5 Artists Who Are Masters of Glitch Music
How to Program and Layer Electronic Basslines in Your DAW
What Is Distortion in Music? When and How to Use It
4 Popular Styles in 2018 Hip-Hop Production
5 Popular Music Production Techniques and How to Create Them
The Beginner’s Guide to Synths for Music Production
4 Popular Sounds in 2018 Rock Production
iZotope and Assistive Audio Technology
4 Popular Styles in 2018 Electronic Music Production
4 Trends in 2018 Pop Production
6 of the Best Electronic Albums of 2018 (So Far)
4 Ways to Make Audio Samples Stand Out
6 Genres and the Effects Chains that Define Them
10 Musical Genres that Are Actually Real
Album Sequencing in the Age of Streaming
The 5 Most Important Developments in Hip-Hop Production
6 Music Production Techniques to Hook Listeners in 30 Seconds or Less
9 Tips to Produce an EDM Drop That Hits Harder
Understanding Chorus, Flangers, and Phasers in Audio Production
Writing Song Starters, Vocal Hooks, and Choral Sections with EXHALE and VocalSynth 2
Using Splice to Find Inspiration for Your Next Song
A Brief History of Vocal Doubling
Exploring the Technology that Makes RX 7 Music Rebalance Possible
9 Ways to MacGyver Your Way through Audio Production
What is Timbre in Music? Why is it Important?
5 Music Production Tips to Create Contrast Between Verse and Chorus
How to Humanize and Dehumanize Drums
Arranging Music for Better Mixdowns
A Brief History of Pitch Correction in Music
How to Keep Repetition in Music Interesting
Vocal Production and the Evolution of a Pop Song ft. Prince Charles Alexander
Vocal Production Tips: 6 Ways to Create Magic Vocal Moments
11 Best Gifts for Music Producers 2018
How to Produce Background Vocals that Complement a Lead
6 Gifts for Guitar Players and Bassists 2018
Top 8 Gifts for Musicians in 2018
7 Holiday Gifts for Drummers 2018
4 Creative Uses for Noise Gates in Music Production
How to Use Single Cycle Waveforms in Iris 2
11 Common Vocal Production Mistakes in Home Studios
The Fundamentals of Vocal Pitch Correction
5 Non-Musical Skills All Producers Need to Have
6 Top Songwriting and Music Production Trends of 2018
7 Simple Life Hacks to Make Audio Production Easier
5 Hip-Hop Production Trends that Dominated 2018
10 of the Best Synth Sounds We Heard in 2018
How to Use Splice Sounds
Adding Delay to Vocal Samples to Liven Up Dance Tracks
How to Get a Fat, Deep Bass Sound
How to Tune Drum Samples for Better Tracks
How to Collaborate Effectively with Other Music Producers
How to Remix a Song
7 Home Recording Studio Myths
5 Musical Challenges for Producers in 2019
7 Home Recording Studio Hacks for the Bedroom Producer
10 Tips for Editing Interview-Based Podcasts
Create New Sounds with Unusual Effects Chains
Making a Custom Sampler Instrument
The Basics of Granular Synthesis
Mixing While Producing Music: Good or Bad Idea?
Music Technology History: the Electronic Handclap
Challenge Accepted: Create a Beat with a Laptop Mic and Vocal Chain Bundle
Portable Recording for the Electronic Musician
Audio Dynamics 101: Compressors, Limiters, Expanders, and Gates
How to Choose a Reverb for Music Production
Soft Synth Essentials: Oscillators, Envelopes, and Filters
10 Times to Take Notes in the Recording Studio
10 Tips for Winning the Battle Against CPU Overload
18 Tips for Running a Great Recording Session
3 Free Preset Packs: VocalSynth, Neutron, and Ozone 7
3 Unconventional Ways to Use Vocal Samples
5 Ways to Address Phase Issues in Audio
5 Ways to Use Parallel Processing in Music Production
Creating A Modern Pop Kick Drum
Creating Rhythmic Guitar Delays With DDLY
Creating Synth Delays With DDLY Dynamic Delay
Designing a Buzzing Lead Sound
DIY Vocal Hacks
Drum Production Tips For EDM Dubstep Snare
Drum Production Tips For EDM Minimal Kick Drum
Free Iris 2 Presets from Audio UX
Introducing Spire Studio: Portable, Professional-Quality Recording Made Simple
Iris 2 The Story Behind The Sounds
Recording vocals at home
Staying Prolific 10 Songwriting Tips To Help You Finish More Songs
Stems and Multitracks: What’s the Difference?
The Art (and Struggle) of Finishing a Song
Using Different Tempos To Make Beats For Different Genres
Using Vinyl For An Old Radio Sound
Using Vinyl For Lo Fi Vocal Effects
Vocal Editing: Getting Ready to Mix Vocals
What Type of Music Producer Are You?
6 Creative Reverb Techniques in Music Production
When Should You Add Reverb to a Track?
What Is Reverb? Exploring the Basics with Exponential Audio
What Digital Reverb Actually Does
Psychoacoustics: How Perception Influences Music Production
Noise Reduction Tips: When Does Noise Help or Harm a Mix
6 Practical Ways to Use RX 7 for Music Production
8 Unique Uses of Reverb in Popular Music History
Layering Drums: Benefits, Pitfalls, and Techniques
An Introduction to Microtonal Music
Simple FM Synthesis: Sine Waves and Processors
How to Enhance Stereo Width on Your Synth Recordings
Beat Making 101: How to Make a Beat
7 Creative Automation Tips for Music Producers
Create a Massive Synth by Layering Multiple Sounds
Sampling Your Samples: Why You Should Try It
How to Choose Which Spire Studio Effects Pedal to Use
How to Make Your Kick Drum Go Boom
Mobile Music Production: How to Optimize Your Setup
6 Tips to Speed Up Session Load Times
Twisting a Track with iZotope Effects Plug-ins
Repair, Mix, and Master a Song with Ease
Creative Ways to Use LFOs on Synths and Beats
Collaborating with Your Computer Using Ableton Live, Part 1
Collaborating with Your Computer Using Ableton Live, Part 2
Digital Audio Basics: Sample Rate and Bit Depth
8 Tips for Perfect Vocal Comping
Making Digital Synths Sound Warm is Easier Than You Think
Drum Sample Replacement with Superior Drummer and Neutron
Audio Repair
What the Machine Learning in RX 6 Advanced Means for the Future of Audio Repair Technology
Video: A Behind the Scenes Look at iZotope’s New Audio Noise Reduction Plug-in
The Making of RX Mouth De-click
How iZotope Employees Use iZotope Plug-ins
Choosing the Right RX Modules for Audio Repair
The Dos and Don’ts of De-essing
Reshaping Audio with Dialogue Contour in RX 7
The Pro Sound Effects in iZotope RX Post Production Suite 3
Why Upgrade to RX 7?
8 Common Audio Restoration Mistakes
Using RX 7 to Mix a Live Bob Dylan Recording
10 Common Uses for Audio Restoration in Mastering
How Dialogue Editor Doug Mountain used RX 7 on The Walking Dead
Avoid Artifacts with Clip-Free Compression in RX 7
100,000 Sound Effects and RX: an Editing Odyssey with Pro Sound Effects
How To Clean Up Your Guitar Sound After Recording
How To Fill Ambience Gaps In Dialogue
How To Match Audio From Different Sound Sources
Understanding Spectrograms
Restoring the Audio of Orson Welles' Final Film with RX
8 Tips for Editing Dialogue with RX 7
When to Use RX as a plug-in vs RX as a Standalone Audio Editor
Artist Stories
How Trash 2 Was Used On Soccer Mommy’s New Album, ‘Clean’
How RX Helped Django Django Craft Their New Record, ‘Marble Skies’
Artist Interview: Elijah Woods x Jamie Fine
How Field Music Used Ozone on Their New Album ‘Open Here’
How MGMT Used VocalSynth on ‘Little Dark Age’
Recording Vocals: Tips from GRAMMY-winning Engineer Brian Warwick
How Scott Fraser Used RX 6 on Laurie Anderson and Kronos Quartet’s New Album, 'Landfall'
How Screaming Females Used RX and Ozone on their New Album 'All At Once'
Mixing and Mastering Advice with Dave Kutch and Chris Tabron
How Neutron 2 Was Used on The Decemberists' Record, 'I’ll Be Your Girl'
How tyDi used Ozone 8, Neutron 2, and Tonal Balance Control on ‘COLLIDE’
Dynamic EQ, Erika Wennerstrom’s Vocals, and the 'Sweet Unknown'
iZotope, Czarface, and MF DOOM
The Dark Audio Magic on Hop Along's New Album
6 Artists Talk about Their Creative Processes
iZotope and the Dynamic, Demonic Derek Smalls (ex-Spinal Tap)
Where to Hear Iris 2 on Kimbra’s New Album 'Primal Heart'
Spire Studio Helped Okkervil River Finish 'In The Rainbow Rain'
Kissed by Trash 2: The Glitch Mob's 'See Without Eyes'
Where to Hear Ozone on the New Beach House Album '7'
Say What You Want To Say: Sleeping Lion
Ozone, Neutron on Courtney Barnett’s New Record, Tell Me How You Really Feel
Find Your Sound: STL GLD
Jacknife Lee: DDLY “Delivers Big” on New Snow Patrol Record ‘Wildness’
How iZotope Helped Shape the Sound of Neko Case’s New Record, 'Hell-On'
How Amond "AJ" Jackson Mixed “Robbin” by Tee Grizzley
You’re Welcome: 5 Essential Dad Rock Bands for Father’s Day 2018
iZotope Plug-ins Featured on New Dierks Bentley Album, 'The Mountain'
How RX, Neutron, and Vinyl Were Used on New Dawes Album, 'Passwords'
How Ozone Shaped the Sound of Jaden Smith’s 'SYRE: The Electric Album'
iZotope Sessions: Latrell James
Why Terra Naomi and M.G. O’Shea Chose Digital Mastering Over Analog on New EP
How a Teenage Geoff Emerick Defined The Beatles’ Studio Sound
What’s the Beef? 5 Major Rivalries in Music History
John Nathaniel on Mixing "Native Tongue" by Switchfoot
How GRAMMY-winning producer Neal Pogue Used Ozone 8 on Robyn's 'Honey'
10 Questions with Electro-pop Artist KYLO
No Stems? No problem. Post-Pro Brook Dillon on Restoring Baywatch Audio with RX
How to Meme, the iZotope Way
How Producer Kool Kojak Used Iris 2 on Spider-Man: Enter the Spider-Verse
9 Questions with Electronic Music Producer GRiZ
A Conversation with Misha Mansoor of Periphery
4X GRAMMY-Winning Recording Engineer and Producer Chris Shaw Talks Spire
Eli "Paperboy" Reed Sings the Blues in a Record Store
Inspired Collaborations: Chris Thile and Merrill Garbus Have 4 Hours to Record a Song on Spire Studio
Joe Purdy Records "Down in the Valley" on Spire Studio
Laura Jane Grace: Park Life Forever
Paper Citizen Talks Songwriting and Recording with Spire
LISTEN: Pete Townshend Records 'Behind Blue Eyes' on Spire Studio
Recording Anaiis Mitchell and Friends: 'Why We Build the Wall'
Recording “Continental Breakfast” by Kurt Vile and Courtney Barnett
Sondre Lerche Records "Hello Stranger" on Spire Studio
Spire Talks with Matt Berninger of The National
10 Questions with Electronic Music Producer Gramatik
4 Audio Post Pros on When They Were Inspired by Sound in Film
5 Podcasters Share How to Overcome their Biggest Audio Challenges
5 Questions with George Daniel of The 1975
Adam Ayan
Alan Meyerson
In the Studio with Prince—Getting His Sound
How I Got the Gig as Prince's Audio Engineer
Artist Interview: Elijah Woods x Jamie Fine (old)
Atticus Ross
Audio Post Production The Tour De France An Interview With Filip Jacobs
Behind the Sounds of Black Mirror: an Interview with Stefan Henrix
BT
Butch Vig
Christian Buenaventura
Darrell Thorp
Mixing The Weeknd's "Earned It" from "Fifty Shades of Grey"
Diplo: Try and Try Again
E. Dan
Earl Sweatshirt Dont Like Sht But He Does Like Trash 2
Eavesdropping on Peabody-Nominated Podcast Homecoming: an Interview with Mark Henry Phillips
Engineering Billboard No. 1 Song “Despacito”—an Interview with Engineer Luis "Salda" Saldarriaga
Filip Jacobs
Fixing Audio with RX for New TV Series Mr. Mercedes
Frank Filipetti
Frank Morrone
Friendly Fires
Gaurav Dayal
Getting Down with Downtempo: an Interview with Ryan Farish
Greg Calbi
Headroom Episode 6 with iZotope CEO Mark Ethier: Innovation and Risk
How Re-Recording Mixer Josh Berger Uses RX on ‘Master of None’
How Stutter Edit Inspires the Sounds Behind Stranger Things
How The Naked And Famous Use Trash 2 and Iris 2
How the Sound Designers of It Created Fear with Sound
How to Become a Mixing Engineer: Hit-Boy's David Kim Gives Career Advice
How to Make Money from Music Publishing: Advice from Zerbin's Peter Mol
How Tune-Yards Used Nectar 2 on 'I can feel you creep into my private life'
Inside the Box - Part 1: Going from Analog to Digital with Sylvia Massy
Inside the Box - Part 2: Recording Audio through...Sausage?
Inside the Box - Part 3: Pre-Mastering with Sylvia Massy
Interview: Experimental Rock Band Bent Knee on the Intersection of Songwriting and Live Performance
Interview: London-based Soul Musician Aaron Taylor
Neon Indian Talks Using Trash 2, and Iris 2 and Music Production
Interview: Owl City on Songwriting, Film Scoring, and Using RX
Interview: The Circle’s Dror Mohar on Designing Convincing Futuristic Sounds
Making Love + Radio: An Interview with Radiotopia podcaster Brendan Baker
JAY-Z, Modern Mixing, and iZotope: An Interview with Jimmy Douglass | Artist Stories
Leafcutter John
Jim "Kimo" West
John Congleton Talks about Producing Future Islands’ 2017 Album The Far Field
Jonathan Davis
Jonathan Wyner
Just Blaze
Justin Lassen
Kevin Lamb
Liars: Creating an Album in the Australian Bush with Iris
London Electricity
Loren Gold
Mark Phillips
Matt Boudreau
Modern Grooves By Black Octopus Takes BreakTweaker In New Directions
Morgan Page
Noisia
Producing a Great EDM Remix: Advice from FATUM
Ray Beentjes
Reinhold Mack
Richard Devine: Inside the Modular Mind of a Synthesis Pioneer
Runtime DSP, It’s Tricky: Video Game and VR Audio with Brian Schmidt
Sitting down with Silas Hite
Skrillex
Steve Boeddeker
Steve Levine
Thavius Beck
The Sound of the Sorcerer Supreme: iZotope in 'Doctor Strange'
Tony Visconti Waxes Poetic About The Fairchild Compressor
Using RX 6 and Ozone 7 on "Triple Platinum" by Rick Ross ft. Scrilla
Using RX 6 Advanced on Anthony Bourdain: Parts Unknown
Vance Powell
What Is Mastering? Latrell James: Two Slices of Bread
No Score, All Sound: a Conversation with Roma's Sound and Dialogue Editors
Spotify for Artists: Tips to Build Your Spotify Artist Profile and Presence
How iZotope Helped Shape the Sound of Khalid's Album 'Free Spirit'
Atlantic Records' Recording Engineer, Ebonie Smith, Talks Amplifying the Music Industry
Meet Yuki, the 18-Year-Old Producer Behind Jaden Smith's New Album, 'ERYS'
Making Metal: Modern Metal Production with Barry Pointer
Audio Recording
5 Tips for Layering Music in Spire Studio
Recording Funk Music on Spire Studio
2 Ways to Record Drums with Spire Studio
2 Ways to Record Electric Guitar with Spire Studio
4 Inventive Ways to Use a Bass Guitar in Your Home Recordings
5 Basic Tips to Record Better Vocals
5 Tips for Limiting Room Noise in Home Recording
9 Quick Steps to Start Recording with Spire Studio
All About Spire Studio Effects
Build a Full Recording and Mix with Spire Studio
Comparing Spire Studio and an Audio Interface
Getting Creative Guitar Tones by Recording Direct In
Home Recording Tips: Which Room Should You Record In?
Home Recording Tips: When to Record Direct and When to Use a Microphone
How to Export Tracks from the Spire App to your DAW
How to Make a Multitrack Recording with Spire
How to Record Foley at Home
How to Record Piano with Spire Studio
Inside Spire Studio’s Preamps with Michael Grace
Recording 30 Songs in 30 Days with Spire Studio
Recording Acoustic Guitar with Spire Studio
Recording Backing Vocals to Bring Your Chorus to Life
Recording Polyrhythm in Spire Studio
Recording Samples with Spire Studio to Create Instruments
The State of the Demo Tape Today
Tips for Recording Bass Guitar with Spire Studio
Try Singing into These 6 Instruments
Using Spire Studio for Podcasting
Mountain Biking Down the Tenmile Range in Colorado with Spire
Record, Enhance, Release: Songwriting Simplified with Spire Studio
Mic Pairing Techniques with Spire Studio
Enhance: Mastering in Spire Studio
The Future of Audio Production on Android
How Mark Foster Writes a Foster the People Song with Spire Studio
Creating Custom Sampled Instruments Using Spire Studio
10 Minutes, a Car, and Spire Studio: Electronic Duo Highlnd Get Creative
Getting the Best Sounds from the Spire Mic
3 Ambient Recording Techniques to Add Depth to Your Songs
The Subtle Versatility of Spire's Bass Amp
Acoustic Room Treatment on a Low Budget
Creating Custom Sampled Drum Kits Using Spire Studio
Layering and Mixing 8 Tracks with Spire Studio
Exploring Spaces in Spire Studio
Download Free Spire Starter Projects
6 Tips for Recording Interviews in the Field
Distortion, Feedback, and Delay: Rock-Inspired Crunch with Spire Studio’s Echo Fuzz
Creating Harsh Sounds to Amp Up Your Rock Songs
Recording and Mixing Synth-Pop with Spire Studio
Creating the Steve Albini Technique with Spire Studio
Aubrey Haddard Performs 'Swim' with Spire Studio
Record and Mix Pro-Sounding Vocals with Spire Studio
Audio Recording with Spire Studio
Navigating Your Distortion Options in Spire Studio
How to Track Mixed Meter Compositions in Spire Studio
A Guide to Making Fresh Beats with Spire Studio
How to Edit Audio for Audiobooks
Songwriting
How to Make Money on Spotify, SoundCloud, and Apple Music
10 Co-Writing Exercises that Will Spark Your Creativity
12 Types of Love Songs
3 Simple Chromatic Chords to Change Up Your Songs
4 Apps to Help You Choose Chords in Your Songs
5 Types of Rhymes You Can Use in Your Song
6 Percussion Instruments to Spice Up Your Song's Rhythm
6 Ways to Share Your Music Using Spire
7 Ways to Add New Chords Into Your Songs
9 Ways to Make Sure Your Song Takes Us on a Journey
9 Ways to Overcome Writer's Block as a Musician
A Step-by-Step Guide to Create Bass Grooves
Basic Music Theory for Songwriters
Developing a Great Bridge for Your Songs: 3 Essential Tips
Diminished Chords: What They Are and 2 Ways to Use Them
Exploring the Songwriting Techniques of Tom Petty
How to Choose Chords for Your Melody
How to Choose the Right DAW for Songwriters
How to Collaborate Long Distance on a Song
How to Play Harmonica: 4 Techniques to Use on Songs
How to Start a Song: 5 Effective Techniques
How to Write a Head-Turning Blues-Rock Riff
How to Write a Melody for Your Chord Progression
How to Write Better Song Arrangements around Vocals
Lyric Writing Tips: How to Use Dummy Lyrics in Your Song
Mastering Rhyme Schemes in Lyric Writing
Object Writing: Your Secret to Vivid Song Lyrics
Part 4: Time Signatures Explained, Writing Songs in Odd Meters
Song Blocking: How to Ensure Your Song Says What It Needs To
Songwriting Basics: Choosing the Right Point of View
Songwriting Techniques: 13 Ways to End a Song
Songwriting Tips: 12 Ways to Create Contrast
Songwriting Tips: Making Your Melodies Memorable, Part I
Songwriting Tips: Making Your Melodies Memorable, Part II
Part 1: Time Signatures Explained, an Introduction
Time Signatures Explained Part 2, Writing Songs in 3/4 and 6/8
Part 3: Time Signatures Explained, Writing Songs in 12/8
Top Songwriting Trends to Look for in 2019
How to Choose the Right Song to Submit to Competitions
How to Write a Bass Line When You're Not Flea or Geddy Lee
Time Signatures Explained, Part 5: Creating Interesting Motion with Meter Changes
7 Tips for Writer's Block-busting Chord Progressions
4 Pre-Writing Tips for Your Songs
The Power of the Pre-Chorus
Writing to a Title
5 Alternatives to Writing a Musical Bridge
Making the Chillest Summer Jam with Spire Studio
What Makes Spire Studio Different from Other Portable Recording Devices?
The Title Game
How to Create Strong Melodies
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