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To clean up dialogue
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To mix together dialogue, music & SFX
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To fix tracks with audio problems
To remove unwanted noises
To polish my mix
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Free Audio Plug-ins
Products
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BreakTweaker
Creative Bundle
DDLY Dynamic Delay
Iris 2
Mobius Filter
Stutter Edit
Trash 2 | Ultimate distortion plug-in
Vinyl
VocalSynth 2
Creative Suite
Master & Deliver
Ozone 8
Ozone 7 Elements
RX Loudness Control
Ozone Imager
Mix
Insight 2 | Intelligent metering for music & post
Music Production Bundle 2
Nectar 3
Neutrino | Free Spectral Shaping Plug-in
Neutron 2: A Smarter Way to Mix | iZotope Audio Mixing Tools
Music Production Suite
Vocal Doubler
Repair & Edit
RX 7 Audio Editor
RX Post Production Suite 3
Bundles
Vocal Chain Bundle
Record
Learn iZotope
iZotope Products
Ozone Tips & Tutorials
Neutron Tips & Tutorials
iZotope RX Tips & Tutorials
VocalSynth Tips & Tutorials
Neutrino Tips & Tutorials
Stutter Edit Tips & Tutorials
RX Loudness Control Tutorials
BreakTweaker Tips & Tutorials
Iris Tips & tutorials
Nectar Tips & Tutorials
Alloy Mixing Tips & Tutorials
Trash Tips & Tutorials
Insight Tips & Tutorials
DDLY Tips & Tutorials
Mobius Filter Tips & Tutorials
Music Production
Post Production
Audio Mastering
Blog
Mixing
15 Tips for Mixing Country Music with GRAMMY Winner Julian King
8 Common Compression Mistakes Music Producers Make
13 Tips for Mixing and Producing EDM
8 Tips for Mixing Rap and Hip-Hop
2-Minute Tips: Mixing, Mastering, and Music Production
What Is Tonal Balance in Mixing and Mastering?
A Glossary of Common and Confusing Mixing Terms
10 Tips for Better Mixes Through Panning
2 Basic Approaches to Mixing
7 Tips for Mixing Bass
7 Tips for Mixing Vocals
Expanding on Compression: 3 Overlooked Techniques for Improving Dynamic Range
4 Tracks to Reference for Mixing in 2018
3 Common Questions Customer Care Gets about iZotope Plug-ins
What Separates a Demo from a Polished Mix?
7 Tips for Mixing Drums
7 Tips for Mixing Guitars
7 Tips for Mixing the Low End
How to Play a Mean Pinball with Neutron 2
5 Mixing Tips with Elijah Woods x Jamie Fine: iZotope Sessions
4 Types of Analog Compression—and Why They Matter in a Digital World
7 Tips for Adding Life to Dry, Boring Audio
Top Reasons to Upgrade from Alloy to Neutron
9 Ways to Get out of the Inevitable Mix Rut
1920s to Now: Comparing Tonal Balance in Popular Music
9 Tips for Managing a Large Session in your DAW
11 Tips for Mixing and Sound-Designing a Fiction Podcast
5 Songs with Great Vocal Mixes
3 Techniques for Handling Your Stereo Bus
6 Building Blocks of a Mix and How to Use Them
The Mixer's Guide to Loudness for Broadcast
10 Beginner Mistakes to Avoid When Mixing Music
How to Use Transient Shaper for Better Drum Breaks
Introducing Nectar Elements Vocal Mixing Plug-in
Why You Should Polish Vocals Before the Mix
10 Common Delay Mistakes Mixing Engineers Make
11 Mixing Tips for Panning Music with Intention
Types of Studio Monitors and Which to Choose for Home Studios
5 Approaches to Submixes
7 Tips for Using Subtractive EQ When Mixing Audio
Do You Need A Subwoofer to Mix Music?
6 Times Transient Shaping Beats Compression
Tips for Mix Bus Processing
Mixing Audio for Video, Part 1: Getting Started
What Is Mix Automation? Everything You've Been Too Afraid to Ask
Vocal Mixing Basics: How to Make Vocals Cut Through the Mix
Mixing Audio for Video, Part 2: Audio Post-Production Workflows
2 Approaches to Mixing Live Drums
6 Times to Use Multiple Reverbs in a Mix
Mixing Audio for Video, Part 3: the Tools of the Trade
8 Common Mistakes in Mid/side Mixing
Double Tracking: 2 Basic Vocal Doubling Techniques
10 Tips for Mixing Pop Music
4 Ways to Use iZotope Insight 2 for a Better Mix
Tips for Producing and Mixing with Headphones
Mixing Audio for Video, Part 4: Mixing Techniques
10 Home Recording Studio Hacks to Improve Listening
The Future of Audio Plug-in Design, ft. Nectar 3
Find Your Voice with Nectar 3 and VocalSynth 2
How to EQ Vocals: 9 Steps for EQing Lead Vox
Vocal Mixing: 6 Popular Styles of Vox in Pop and Rock Mixes
Mixing Vocals: How to Create Space for Vox
7 Ways to Get Unusual Vocal Effects with iZotope Plug-ins
Top 5 Pop Mixing Trends of 2018
8 Essential Tips for Editing Vocals
How to Mix Rap Vocals
5 Ways Inter-plugin Communication Streamlines Audio Mixing
Mixing Music: 4 Rules You Should Know When to Break
Mixing Vocals: What Makes a “Professional” Vocal Sound
EQ Tips: When to Boost and When to Cut
How to Prevent Ear Fatigue When Mixing Audio
Pros and Cons: Monitoring Options for Mixing
8 Tips for Mixing Your Song with Spire Studio
5 More Tips for Panning Music with Intention
The Basics of Convolution in Audio Production
5 Tips for Mixing High End
5 Mix Tips You Need to Improve Dynamic Range
When to Use Dynamic EQ In a Mix
What Separates a Demo from a Polished Mix: Part 2
4 Steps to a Polished Vocal Mix with the Vocal Chain Bundle
Perfect Your Vocal Production with Vocal Chain Bundle
9 Types of Bass Parts and How to Mix Them
Gain Staging: What It Is and How to Do It
What Is Mix Depth? How to Create Front-Back Space
11 Tips to Fix Cheap Sounding Audio in the Mix
6 Ways to Use a Low Pass Filter When Mixing
6 Ways to Use a High Pass Filter When Mixing
10 Audio Tips from the iZotope Community
12 Common EQ Mistakes Mixing Engineers Make
5 Lessons from iZotopians’ Most Embarrassing Mixing Moments
5 Songs That Are Brilliantly Mixed and Mastered
6 Considerations for Mixing with Headphones or Studio Monitors
6 Tips for Mixing Good Ol’ Fashioned Rock and Roll
6 tips for mixing in surround
7 EQ Practices for Better Mixing
7 Tips for Mixing Live Recordings
8 Mixing Tips for Better Audio Masters
8 Tips for Taming Harsh Treble in the Mix
9 Common Reverb Mistakes Mixing Engineers Make
9 Tips for Mixing Jazz
The Making of Neutron
Dave Moulton On Spectral Management
Developing Inter-plugin Communication at iZotope
Don’t Let It Bring You Down: 7 Tips for Maintaining Perspective While Mixing
Focusing Your Mix With Frequency Ducking
Getting started mixing drums
Getting Started Mixing Vocals
How Machine Learning in Neutron Elements Track Assistant Helps Make Mixing Creative
How the Visual Mixer in Neutron 2 Will Change How You Mix Audio
How to Figure Out Your Audio Engineering Rate
How to mix for your song structure
Mantras For Mixing and Mastering
Mixing bass guitar: Tips for getting started
Mixing Bass With Alloy
Mixing Dialogue For Video
Mixing Drums With Alloy
Mixing Drums With DDLY Dynamic Delay
Mixing for Different Delivery Formats
Mixing For The Modern Producer
Mixing Piano With Alloy
New Free Mixing Guide Now Available
Principles of Dynamics
Principles of Equalization
Reference Tracks: 5 Songs for Mixing And Mastering
Stereo Reconsidered Midside Thinking
The Many Splendors of Sidechaining
The New Audio Podcast, Episode 7: Making the Plug-in - Neutron
Top Reasons to Upgrade to Neutron 2
Understanding Audio Signal Flow in a DAW
Using compression to help vocals sit in a mix
What Is Frequency Masking?
Aux vs. Inserts: to Send or Not to Send?
Mastering
Demystifying Mastering - in the Big Easy
Why Does My Recording Sound Bad?
Differences between Ozone 7 Elements and Ozone 7
How to Use Mid/Side Processing for Audio Mastering
iZotope Headroom, Ep 3, Pt 2: What is Loud?
Inside the presets of Ozone 7 Elements
What Is Spectral Shaping?
Remastering George Harrison's Catalogue: an Interview with Paul Hicks
Why iZotope Created the Tonal Balance Control Plug-in
Why iZotope Created the Master Assistant in Ozone 8
Top Reasons to Upgrade to Ozone 8
10 Steps to a Quick Master in Ozone
What Is Mastering?
What is Mid/Side Processing?
4 Mastering Techniques that Shouldn’t Have Worked But Did
10 Tips for Mastering if You're Not a Mastering Engineer
Genre in Mastering with 15 Professional Mastering Engineers, Part 1
15 Mastering Engineers Talk about Genre, Part 2: Processing Techniques
Genre in Mastering, Part 3: Workflows
Top Reasons to Upgrade from Ozone Elements to Ozone 8
An Introduction to Limiters (and How to Use Them)
What is Metering in Mixing and Mastering?
Audio Clipping and Creative Uses of Limiting
Why Upgrade to Insight 2?
What Is the Difference Between Mixing and Mastering?
Are You Listening? Episode 1: Audio Mastering Basics
Are You Listening? Episode 2: Your Listening Environment
Are You Listening? Episode 3: Compression in Mastering
Are You Listening? Episodes 4 and 5: Limiting in Mastering
4 Tips For Mastering Various Playback Systems
5 Takeaways from Headroom Episode 5: Advanced Audio Repair
Behind The Code The Development of Ozone 7 Advanced
Behind The Scenes of Ozone 6
Behind The Scenes of Ozone 6 Reimaging The User Experience
Headroom, Episode 3: “What is LOUD? Part 1”
Headroom, Episode 3: “What is LOUD? Part 1”
How To Choose Presets In Ozone 7
Introducing Ozone 7 and Ozone 7 Advanced
Learning Audio Mastering Through Presets Part 1
Learning Audio Mastering Through Presets Part 2
Learning Audio Mastering Through Presets Part 3
Mastering For Compressed Audio Formats
Mastering For Different Musical Genres
Multiband Compression Basics
Now Available RX Loudness Control
Should The Artist attend The Audio Mastering Session
Taming Wild Mastering Levels
Tips and Tricks For Mastering
Top Reasons to Upgrade to RX 6
Using A Spectrogram To Identify Audio Problems
Using Greg Calbi Presets to Achieve Audio Mastering Perfection
Using Reference Tracks For Audio Mastering
Why Do We Master Audio?
Music Production
Birth of Iris
Iris 2 Sonic State Podcast
Now Available BreakTweaker 1.01
11 Tips for Budgeting Your Production
Staying Prolific 10 Songwriting Tips To Help You Finish More Songs
Using Different Tempos To Make Beats For Different Genres
Drum Production Tips For EDM Minimal Kick Drum
Creating A Modern Pop Kick Drum
Using Vinyl For Lo Fi Vocal Effects
Drum Production Tips For EDM Dubstep Snare
Vocal Editing
Using Vinyl For An Old Radio Sound
Introducing iZotope’s Pro Audio Essentials for Music Producers
Recording vocals at home
Using Spin Down In Vinyl To Simulate Record Stops
DIY Vocal Hacks
Wipe Out: Surf guitar and the cult of twang
Pop Song Anatomy 201 Take It As You Go
What Makes An Exciting Sound
Getting Started with the Creative Bundle
Audio Repair In Music Production
The New Audio Podcast
Producers Discuss Vintage Gear
Filter effects on vocals with Mobius Filter
Now Available DDLY Dynamic Delay Effect Plug In
Creating Synth Delays With DDLY Dynamic Delay
Designing a Buzzing Lead Sound
Creating Rhythmic Guitar Delays With DDLY
Getting song inspiration from the beach
Stories of great gear found in unexpected places: Summer flea market and yard sales finds
Using Mobius Filter as a Guitar Modulation Effect
Expressive rising energy on a dance mix
Iris 2 The Story Behind The Sounds
Iris Resonant A Fresh Musical Palette
Mobius Filter Deep Dive
Now Available: VocalSynth
Take your studio to the beach: Beach-proofing your gear
What Type of Music Producer Are You?
18 Tips for Running a Great Recording Session
3 Free Preset Packs: VocalSynth, Neutron, and Ozone 7
Introducing Spire Studio: Portable, Professional-Quality Recording Made Simple
5 Ways to Use Parallel Processing in Music Production
10 Times to Take Notes in the Recording Studio
The State of Music Production in 2017: 6 Takeaways from a Producer | Tips & Tutorials
Free Iris 2 Presets from Audio UX
The Ultimate Holiday Gift Guide for Your Musician Friends and Family
10 Music Production Tips for Winning the Battle Against CPU Overload
5 Ways to Address Phase Issues in Audio
Stems and Multitracks: What’s the Difference?
Swing and Syncopation: Understanding DAW Groove
3 Unconventional Ways to Use Vocal Samples
4 Ways to Make Your Synths Sound Dreamy and Retro With Trash 2
Finessing the Flanger: How to Create Beautiful and Weird Sounds
4 Essential Steps to Build Trust in Any Creative Relationship
Reflecting on Reverb: What It Is and How to Use It
3 Ways to Warp Vocals with VocalSynth
The Music Producer’s Guide to Backing Up Data
11 Creative Sidechain Compression Techniques
iZotope Vocal Production Workshop at Ascap Expo
5 Ways to Use Delay to Enhance Your Track’s Groove
How to Transform Percussion Loops with Foley
How to Learn a Synthesizer in 3 Easy Steps
The Art (and Struggle) of Finishing a Song
4 Ways to Get a Shoegaze Sound
Don't Blend In: 9 Ways to Create Unique Sounds
9 Songs that Changed the Way We Produce Vocals
Live Drums vs. Sampled Drums: When to Use Which
5 Essential Songs Using the Vocoder
White Noise, Filters, and Effects: How to Use Them Together
55 Essential Dos and Don'ts of Vocal Production
5 Basic Audio Effects Every Vocalist Should Know
Understanding Atmosphere in Music, and How to Create It
7 Bad Music Producer Habits and How to Fix Them
In a Creative Rut? Make a Song Using Oblique Strategies
Coming Soon: VocalSynth 2 and New Creative Suite
Get the Most from DAW Automation: 3 Creative Approaches
A Brief History of the Vocoder
The Making of Biovox in VocalSynth 2
Introducing Inter-plugin Communication in VocalSynth 2
Why Upgrade to VocalSynth 2?
Behind the Design Updates to VocalSynth 2
How These 5 Artists Use Negative Space in Music
5 Artists on the Cutting Edge of Immersive Live Sound
7 Music Production Challenges to Help Finish Your Songs
Creating Textures with Trash 2 for Industrial Music
5 Artists Who Are Masters of Glitch Music
How to Program and Layer Electronic Basslines in Your DAW
What Is Distortion in Music? When and How to Use It
4 Popular Styles in 2018 Hip-Hop Production
5 Popular Music Production Techniques and How to Create Them
The Beginner’s Guide to Synths for Music Production
4 Popular Sounds in 2018 Rock Production
iZotope and Assistive Audio Technology
4 Popular Styles in 2018 Electronic Music Production
4 Trends in 2018 Pop Production
6 of the Best Electronic Albums of 2018 (So Far)
4 Ways to Make Audio Samples Stand Out
6 Genres and the Effects Chains that Define Them
10 Musical Genres that Are Actually Real
Album Sequencing in the Age of Streaming
The 5 Most Important Developments in Hip-Hop Production
6 Music Production Techniques to Hook Listeners in 30 Seconds or Less
9 Tips to Produce an EDM Drop That Hits Harder
Understanding Chorus, Flangers, and Phasers in Audio Production
Writing Song Starters, Vocal Hooks, and Choral Sections with EXHALE and VocalSynth 2
Using Splice to Find Inspiration for Your Next Song
A Brief History of Vocal Doubling
Exploring the Technology that Makes RX 7 Music Rebalance Possible
9 Ways to MacGyver Your Way through Audio Production
What is Timbre in Music? Why is it Important?
5 Music Production Tips to Create Contrast Between Verse and Chorus
How to Humanize and Dehumanize Drums
Arranging Music for Better Mixdowns
A Brief History of Pitch Correction in Music
How to Keep Repetition in Music Interesting
Vocal Production and the Evolution of a Pop Song ft. Prince Charles Alexander
Vocal Production Tips: 6 Ways to Create Magic Vocal Moments
11 Best Gifts for Music Producers 2018
How to Produce Background Vocals that Complement a Lead
6 Gifts for Guitar Players and Bassists 2018
Top 8 Gifts for Musicians in 2018
7 Holiday Gifts for Drummers 2018
4 Creative Uses for Noise Gates in Music Production
How to Use Single Cycle Waveforms in Iris 2
11 Common Vocal Production Mistakes in Home Studios
The Fundamentals of Vocal Pitch Correction
5 Non-Musical Skills All Producers Need to Have
6 Top Songwriting and Music Production Trends of 2018
7 Simple Life Hacks to Make Audio Production Easier
5 Hip-Hop Production Trends that Dominated 2018
10 of the Best Synth Sounds We Heard in 2018
How to Use Splice Sounds
Adding Delay to Vocal Samples to Liven Up Dance Tracks
How to Get a Fat, Deep Bass Sound
How to Tune Drum Samples for Better Tracks
How to Collaborate Effectively with Other Music Producers
7 Home Recording Studio Myths
5 Musical Challenges for Producers in 2019
7 Home Recording Studio Hacks for the Bedroom Producer
10 Tips for Editing Interview-Based Podcasts
Create New Sounds with Unusual Effects Chains
Making a Custom Sampler Instrument
The Basics of Granular Synthesis
Mixing While Producing Music: Good or Bad Idea?
Music Technology History: the Electronic Handclap
Challenge Accepted: Create a Beat with a Laptop Mic and Vocal Chain Bundle
Portable Recording for the Electronic Musician
Audio Dynamics 101: Compressors, Limiters, Expanders, and Gates
How to Choose a Reverb for Music Production
Soft Synth Essentials: Oscillators, Envelopes, and Filters
Audio Repair
What the Machine Learning in RX 6 Advanced Means for the Future of Audio Repair Technology
Why Upgrade? Comparing RX Elements, RX 6 Standard, and RX 6 Advanced
Video: A Behind the Scenes Look at iZotope’s New Audio Noise Reduction Plug-in
The Making of RX Mouth De-click
5 Takeaways from Headroom Episode 5: Advanced Audio Repair
How iZotope Employees Use iZotope Plug-ins
Choosing the Right RX Modules for Audio Repair
The Dos and Don’ts of De-essing
Reshaping Audio with Dialogue Contour in RX 7
The Pro Sound Effects in iZotope RX Post Production Suite 3
Why Upgrade to RX 7?
8 Common Audio Restoration Mistakes
Using RX 7 to Mix a Live Bob Dylan Recording
10 Common Uses for Audio Restoration in Mastering
How Dialogue Editor Doug Mountain used RX 7 on The Walking Dead
Avoid Artifacts with Clip-Free Compression in RX 7
100,000 Sound Effects and RX: an Editing Odyssey with Pro Sound Effects
How To Clean Up Your Guitar Sound After Recording
How To Fill Ambience Gaps In Dialogue
How To Match Audio From Different Sound Sources
Reasons To Upgrade To RX 5
RX User Interface Design With Real Industry
Top Reasons to Upgrade to RX 6
Understanding Spectrograms
Artist Stories
A “Best of Boston” SoundCloud Playlist
Here's what people are saying about Neutron
iZotope In The Mix at Latin Grammys
New Audio Podcast Episode 2
Ross Lara Getting Into The Field With BreakTweaker
RX 4 Saves Significant Resources
Sitting down with Silas Hite
The GRAMMY spotlight shines on Boston Arts Academy
2017 Oscar Nominations for Sound and Music
New BreakTweaker Expansion Available Modern Grooves By Black Octopus
iZotope Artists Represented at The 2015 Grammys
Headroom, Episode 2: "How We Hear, How We Listen"
Headroom Episode 6 with iZotope CEO Mark Ethier: Innovation and Risk
Becoming a Full-Time Podcast Producer: Career Advice from Carissa Weiser
5 Podcasters Share How to Overcome their Biggest Audio Challenges
5 Guitarists Share How to Overcome their Biggest Audio Recording Challenges
Headroom Episode 7 with Michael Grace: What Is a Preamp?
Powering the 60th Annual GRAMMY Awards
Frank Morrone
Danny Byrd
Mister Barrington
Silas Hite
Skrillex
Noisia
Butch Vig
Matt Boudreau
Atticus Ross
Jonathan Wyner
Alan Meyerson
Gaurav Dayal
Jonathan Davis
JR Chappell
BT
Dave Moulton
Mark Phillips
E. Dan
Greg Calbi
Reinhold Mack
Frank Filipetti
Adam Ayan
Thavius Beck
Neal H Pogue
Ray Beentjes
Justin Lassen
Just Blaze
Vance Powell
Sencit Music
Steve Boeddeker
Buddy Cannon and Tony Castle
Darrell Thorp
Universal Mastering Studios
Loren Gold
Kevin Lamb
Jim "Kimo" West
Morgan Page
Husky Hoskulds
Mirrorball Entertainment
Christian Buenaventura
Filip Jacobs
Friendly Fires
Steve Levine
Bill Jackson
Leafcutter John
TW Walsh
Bob Bronow
London Electricity
iZotope Masters of Audio Series Part 1
Artist Interview With Jordan Hewitt and Chomstars
Buddy Cannon and Tony Castle
iZotope Artists Nominated for 2016 GRAMMY Awards
Magic Shop Continues its Archiving, Preservation, and Mastering Work as MARS NYC
The New Audio Podcast, Episode 3
The New Audio Podcast, Episode 8: DJ Swivel
5 Questions with George Daniel of The 1975
Interview: Owl City on Songwriting, Film Scoring, and Using RX
John Congleton Talks about Producing Future Islands’ 2017 Album The Far Field
Mixing The Weeknd's "Earned It" from "Fifty Shades of Grey"
In the Studio with Prince—Getting His Sound
Interview: Neon Indian Talks Music Production, Using Trash 2, and Iris 2
Tony Visconti Waxes Poetic About The Fairchild Compressor
Diplo: Try and Try Again
Interview: The Circle’s Dror Mohar on Designing Convincing Futuristic Sounds
Eavesdropping on Peabody-Nominated Podcast Homecoming: an Interview with Mark Henry Phillips
Earl Sweatshirt Dont Like Sht But He Does Like Trash 2
Richard Devine: Inside the Modular Mind of a Synthesis Pioneer
The Sound of the Sorcerer Supreme: iZotope in 'Doctor Strange'
Interview: London-based Soul Musician Aaron Taylor
How I Got the Gig as Prince's Audio Engineer
The New Audio Podcast, Episode 9: Lo-Fi vs. Hi-Fi with Jonathan Wyner
How Colin Brittain and Chad Cisneros Use VocalSynth
Dialogue mixer Ron Bartlett talks RX in Deepwater Horizon
The New Audio Podcast Episode 12: Guy Lawrence from Disclosure
Dan Laurie Editing For Ant Man
iZotope Masters of Audio Series Part 3
Modern Grooves By Black Octopus Takes BreakTweaker In New Directions
Relationship advice from the pros
The Sound Design of Serial
Red Dead Restoration
The New Audio Podcast Episode 10
The New Audio Podcast, Episode 6: Darrell Thorp
5 Questions With Nick Franglen
Audio Post Production The Tour De France An Interview With Filip Jacobs
Celebrating the history of public radio with Radiolab
Damian Kearns
iZotope Masters of Audio Series Part 2
Making Love + Radio: An Interview with Radiotopia podcaster Brendan Baker
Masters of Their Craft
Prince's Unreleased Material—How to Treat the Artist's Legacy
RX 5 in "The Lost City of Z"
Sound Pros Sound off On RX
The New Audio Podcast Episode 5
The New Audio Podcast, Episode 11: Nick Krill—Indie Rock Production
The New Audio Podcast, Episode 4: A history of vocal effects
10 Questions with Electronic Music Producer Gramatik
How to Make Money from Music Publishing: Advice from Zerbin's Peter Mol
What Is Mastering? Latrell James: Two Slices of Bread
A Game of Post: Engineers Talk Audio Challenges on Game of Thrones
How The Naked And Famous Use Trash 2 and Iris 2
The New Audio Podcast Episode 13: Harry Shearer
Interview: Experimental Rock Band Bent Knee on the Intersection of Songwriting and Live Performance
How Re-Recording Mixer Josh Berger Uses RX on ‘Master of None’
Using RX 6 and Ozone 7 on "Triple Platinum" by Rick Ross ft. Scrilla
How Trash 2 Was Used On Soccer Mommy’s New Album, ‘Clean’
The New Audio Podcast Episode 14: Dallas Taylor of Twenty Thousand Hertz
The New Audio Podcast Episode 15: Aaron Bastinelli and Michelle Mancini
Fixing Audio with RX for New TV Series Mr. Mercedes
3D Thriller: Mixing Michael Jackson with 8X GRAMMY-nominated Engineer Martin Nessi | Artist Stories
Using RX 6 Advanced on Anthony Bourdain: Parts Unknown
JAY-Z, Modern Mixing, and iZotope: An Interview with Jimmy Douglass
7X GRAMMY-Winning Audio Engineer Frank Filipetti Talks RX 6
How Stutter Edit Inspires the Sounds Behind Stranger Things
Engineering Billboard No. 1 Song “Despacito”—an Interview with Engineer Luis "Salda" Saldarriaga
How the Sound Designers of It Created Fear with Sound
Liars: Creating an Album in the Australian Bush with Iris
Producing a Great EDM Remix: Advice from FATUM
Runtime DSP, It’s Tricky: Video Game and VR Audio with Brian Schmidt
How Joe Chiccarelli Used VocalSynth on Morrissey’s “I Wish You Lonely"
Getting Down with Downtempo: an Interview with Ryan Farish
4 Audio Post Pros on When They Were Inspired by Sound in Film
Inside the Box - Part 1: Going from Analog to Digital with Sylvia Massy
Inside the Box - Part 3: Pre-Mastering with Sylvia Massy
Inside the Box - Part 2: Recording Audio through...Sausage?
How to Become a Mixing Engineer: Hit-Boy's David Kim Gives Career Advice
How RX Helped Django Django Craft Their New Record, ‘Marble Skies’
Artist Interview: Elijah Woods x Jamie Fine
How Field Music Used Ozone on Their New Album ‘Open Here’
Using iZotope RX on Black Rebel Motorcycle Club’s 'Wrong Creatures'
How Tune-Yards Used Nectar 2 on 'I can feel you creep into my private life'
How MGMT Used VocalSynth on ‘Little Dark Age’
Recording Vocals: Tips from GRAMMY-winning Engineer Brian Warwick
How Scott Fraser Used RX 6 on Laurie Anderson and Kronos Quartet’s New Album, 'Landfall'
How Screaming Females Used RX and Ozone on their New Album 'All At Once'
iZotope and the 2018 Oscars
iZotope at the 2018 Winter Olympics
Dozens of iZotope artists among the 59th GRAMMY Award nominations
A Dream Sequence: Interview with Brando Kress of Chateau d'If
Behind the Sounds of Black Mirror: an Interview with Stefan Henrix
The Rare Occasions: Recording Across Coasts
Artist Interview: Elijah Woods x Jamie Fine (old)
Mixing and Mastering Advice with Dave Kutch and Chris Tabron
How Neutron 2 Was Used on The Decemberists' Record, 'I’ll Be Your Girl'
How tyDi used Ozone 8, Neutron 2, and Tonal Balance Control on ‘COLLIDE’
Headroom, Episode 1: “Visualizing the Vocal Mix”. A journey through the mind of Prince Charles Alexander
Dynamic EQ, Erika Wennerstrom’s Vocals, and the 'Sweet Unknown'
iZotope, Czarface, and MF DOOM
The Dark Audio Magic on Hop Along's New Album
6 Artists Talk about Their Creative Processes
iZotope and the Dynamic, Demonic Derek Smalls (ex-Spinal Tap)
Where to Hear Iris 2 on Kimbra’s New Album 'Primal Heart'
Spire Studio Helped Okkervil River Finish 'In The Rainbow Rain'
Kissed by Trash 2: The Glitch Mob's 'See Without Eyes'
Where to Hear Ozone on the New Beach House Album '7'
Say What You Want To Say: Sleeping Lion
Ozone, Neutron on Courtney Barnett’s New Record, Tell Me How You Really Feel
Find Your Sound: STL GLD
Jacknife Lee: DDLY “Delivers Big” on New Snow Patrol Record ‘Wildness’
How iZotope Helped Shape the Sound of Neko Case’s New Record, 'Hell-On'
How Amond "AJ" Jackson Mixed “Robbin” by Tee Grizzley
You’re Welcome: 5 Essential Dad Rock Bands for Father’s Day 2018
iZotope Plug-ins Featured on New Dierks Bentley Album, 'The Mountain'
How RX, Neutron, and Vinyl Were Used on New Dawes Album, 'Passwords'
How Ozone Shaped the Sound of Jaden Smith’s 'SYRE: The Electric Album'
iZotope Sessions: Latrell James
Why Terra Naomi and M.G. O’Shea Chose Digital Mastering Over Analog on New EP
How a Teenage Geoff Emerick Defined The Beatles’ Studio Sound
What’s the Beef? 5 Major Rivalries in Music History
John Nathaniel on Mixing "Native Tongue" by Switchfoot
How GRAMMY-winning producer Neal Pogue Used Ozone 8 on Robyn's 'Honey'
10 Questions with Electro-pop Artist KYLO
No Stems? No problem. Post-Pro Brook Dillon on Restoring Baywatch Audio with RX
How Producer Kool Kojak Used Iris 2 on Spider-Man: Enter the Spider-Verse
9 Questions with Electronic Music Producer GRiZ
A Conversation with Misha Mansoor of Periphery
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Audio Post Tools
To clean up dialogue
To fix production audio
To mix together dialogue, music & SFX
To meet loudness standards
To edit, mix & deliver audio
To visually monitor my mix
Music Production Tools
To fix tracks with audio problems
To remove unwanted noises
To polish my mix
To make my mix fuller
To glue my mix together
To play with new sounds
To fully produce a track
Free Audio Plug-ins
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