7 tips for mixing the low end
Mixing low end can be a challenge for engineers working in any genre. The goal is to manage bass frequencies so that they are present without overwhelming...
Mixing low end can be a challenge for engineers working in any genre. The goal is to manage bass frequencies so that they are present without overwhelming...
You could argue that all modern media production – from music to film – revolves around the practice of overdubbing. It’s essential to the modern-day...
You've spent hours EQing your kick drum for that perfect thump, compressing your snare for snap, and balancing your cymbals just right. Yet, when you listen...
iZotope Velvet is designed to be your smarter de-esser, splitting sibilant and tonal audio into separate channels. This allows you to de-ess, de-click, and...
Vocals are a tricky business, especially when the singer is sibilant. Sibilance can be piercing, harsh, shrill, and generally unpleasant. Yet we often need...
At some point in your career as an audio engineer, you’ll come across audio that was either recorded improperly, mixed poorly, or was transferred...
Modern mainstream music centers around the vocal. The best mixes of our times highlight the vocals in standout ways. Don’t believe me? Go to any...
Reverb is one of the most essential tools in audio production, capable of transforming flat and lifeless recordings into a more immersive experience. In the...
Continuing my run of music analysis articles, in this piece we’re taking a look at a slightly different angle. Specifically, we’re going to look at...
Crafting immersive depth and life in your mixes has never been this intuitive. Equinox is designed to be your go-to reverb for both music and post...
In some of my other recent analysis articles we’ve seen a surprisingly constant trend of most commercial releases being mastered to around -8.3...
When it comes to mixing, getting your low end right is crucial to a well-balanced product. Too much bass can swallow up the mix, and too little can leave...