Dracula's Singing Babies: A Study in Sound Design with RX 7
This is Part 4 of a four-part series written by Toby Pitman, sound designer for Netflix's Dracula. Read Part 1 here, aand Part 2 here. This article...
This is Part 4 of a four-part series written by Toby Pitman, sound designer for Netflix's Dracula. Read Part 1 here, aand Part 2 here. This article...
You’re a smart cookie: you probably know the standard uses for RX 7. If you can hear the room surrounding a vocal, you know to use Voice De-noise to tamp it...
This article references a previous version of RX. Learn about RX 10 and its powerful new features like Dynamic Adaptive Mode in RX...
I recently had to transform some orchestral performances into playable patches for the BBC’s latest adaptation of Dracula. I wanted to build some...
In Part 1 and Part 2 of this series, we discussed the basics of the Music Rebalance module in RX . We’ve covered all the interface elements...
RX is world-renowned for its audio clean-up capabilities, but today we’ll talk about its use and value as a storytelling tool. ...
Podcasts have their own unique audio challenges. Here are tips on how to solve common podcast mix problems. These tips for mixing podcasts have come in handy...
In Part 1 of this series, we discussed the basics of Music Rebalance in RX . We focused on the four gain sliders for Voice, Bass,...
It’s never ideal to de-ess a track at the mastering stage, but it’s needed more often than you might think. Simply adding a de-esser can take care...
You may have read about new machine learning features in RX like Music Rebalance and shaken your head—Wait a minute, you’re saying...
I drove to one of those weird Brooklyn neighborhoods that might just be Queens, and I’m sitting in Matt McCorkle’s studio, my body...
In a world where everything is due yesterday, there’s an extra push to get things done faster. Thankfully, there are many ways to speed up your...