Nick Messitte

Nick Messitte

Learn contributor

Nick Messitte is an award-winning engineer, composer, sound designer, and educator. His credits span a variety of genres and disciplines, from indie rock to post-production sound design. He’s mixed and mastered records for Peach Face, Adjective Animal, Soul Cannon, Super City, Micah E. Wood, Not Charles, Pete Mancini, Leland Sundries, and others. A veteran engineer in the podcast space, Nick has worked on shows and segments for NPR, WHYY, WBURR, OZY Media, ABC, Voyage Media, Criminal Content, and more. If you’d like to connect with Nick about a project or have any questions about the craft of engineering, you can reach him here.

Understanding overdubbing: techniques and applications

Understanding overdubbing: techniques and applications

You could argue that all modern media production – from music to film – revolves around the practice of overdubbing. It’s essential to the modern-day...

What is a drum bus? How to set one up in your session

What is a drum bus? How to set one up in your session

You've spent hours EQing your kick drum for that perfect thump, compressing your snare for snap, and balancing your cymbals just right. Yet, when you listen...

What is de-essing? The dos and don’ts of using a de-esser

What is de-essing? The dos and don’ts of using a de-esser

Vocals are a tricky business, especially when the singer is sibilant. Sibilance can be piercing, harsh, shrill, and generally unpleasant. Yet we often need...

Essential tips for using reverb on vocals

Essential tips for using reverb on vocals

Modern mainstream music centers around the vocal. The best mixes of our times highlight the vocals in standout ways. Don’t believe me? Go to any...

Algorithmic reverb: how to create space and depth in audio productions

Algorithmic reverb: how to create space and depth in audio productions

Reverb is one of the most essential tools in audio production, capable of transforming flat and lifeless recordings into a more immersive experience. In the...

How to mix bass: 7 tips for a solid foundation

How to mix bass: 7 tips for a solid foundation

When it comes to mixing, getting your low end right is crucial to a well-balanced product. Too much bass can swallow up the mix, and too little can leave...

6 ways to use a high-pass filter when mixing

6 ways to use a high-pass filter when mixing

A high-pass filter is an EQ curve used to remove low-frequency sounds from an audio signal. We call it a high-pass filter because it allows...

How to mix a song from start to finish

How to mix a song from start to finish

You’re at square one, staring at a session of unmixed tracks. There’s much to do, from gain staging and unmasking the kick and bass, all the way to...

Vocal mixing cheat sheet: Your guide to a release-ready sound

Vocal mixing cheat sheet: Your guide to a release-ready sound

As engineers, we all want a polished vocal sound. But more than any other instrument, vocals cannot be reduced or described by a cheatsheet. Specific EQ...

5 tips for using multiple EQs when mixing audio

5 tips for using multiple EQs when mixing audio

We've explored the power of layering reverbs to create rich, immersive soundscapes in a mix, but what about a similar approach with EQ? Can using multiple...

When to use dynamic EQ in a mix

When to use dynamic EQ in a mix

EQ is a tricky thing in mixing –  especially when you consider how music changes over time. A cut to tame harsh vocal frequencies might work for one...

9 common reverb mistakes mixing engineers make

9 common reverb mistakes mixing engineers make

You might have seen previous articles listing common compression mistakes and EQ mistakes. What’s next? We're exploring some of the most common...