Expanding on compression: 3 overlooked techniques for improving dynamic range
When many engineers say "compression,” what they mean is “downward compression.” In other words, reducing the level of the signal...
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Ian Stewart is a mastering engineer and audio educator from the Berkshires of Western Massachusetts where he's operated Flotown Mastering since 2011. Ian received his B.S. in Music Engineering Technology from the University of Miami in 2007 and has been a passionate advocate for audio quality, and for fostering a better understanding of the topics surrounding it, ever since. He is also an Assistant Professor at Berklee College of Music.
When many engineers say "compression,” what they mean is “downward compression.” In other words, reducing the level of the signal...
In another article called “Expanding on compression” we covered unusual forms of dynamic processing, including upward compression. Neutron 5 offers no...
The world of audio has evolved rapidly in recent years, and with that has come a wave of new technologies designed to enhance the listening experience....
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“The loudness wars are over!” they said. “Loudness normalization and dynamics won!” they said, and yet still, many people crave a loud...
Unless you’ve been living under a rock for the better part of the last decade, there’s a good chance you’ve heard chatter about Bax...
The mastering process is the final stage of audio production and one of the most crucial in achieving a professional sound. While there are many...
One of the main goals of many musicians and producers during mastering is to improve the clarity and openness of their song. They’re looking to achieve a...
Everyone wants a wide, spacious stereo image in their mix—well, maybe not everyone, but I’m guessing if you’re here, you do—however, that’s sometimes easier...
Vocal mastering isn’t usually something you do on its own. Sure, if you’re working on an acapella version of a mix, a choral recording, or...
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