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Dialogue Match
Match sonic profiles for dialogue and ADR
A revolution in dialogue editing
The makers of RX bring you the next indispensable tool for post production. Keep your audience in the moment with seamless dialogue recordings.
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Exclusively for Pro Tools
The Dialogue Match story
In 2019, we added the complete Exponential Audio product line of reverb plug-ins to our collection of audio software. Working with Exponential Audio founder and renowned reverb expert Michael Carnes, we set out to cure the headache of fitting multiple dialogue recordings to a single scene, even when captured with different microphones and in different spaces. Enter Dialogue Match.
Dialogue Match doesn't just introduce all-new reverb matching technology; it also combines our EQ and ambience matching tech with the superb engineering and sound quality of Exponential Audio reverbs. The result is a tool that extracts the environmental profile from one recording, and applies it directly onto another using the Exponential Audio reverb engine, reducing hours of tedious audio editing to mere seconds.
Dialogue Match is just the first example of what’s possible through the iZotope/Exponential Audio collaboration. With Michael Carnes as a part of our team dedicated to pushing the boundaries of digital audio production, we’re poised to deliver even more powerful and inspiring software innovations for music and post production.
How Dialogue Match works
Why Dialogue Match?
What people are saying
"When I record ADR, I can quickly process the recordings to match the work track and give clients an instant representation of what the final dialogue may sound like. No more guessing. All of iZotope's proven technology in one easy to use plug in—yet, with the power to fine tune to perfection. Another must-have in your arsenal!"
Jason Oliver
ADR Mixer and Dialogue Editor, Warner Brothers Studios
(Black Panther, Mad Max: Fury Road, Wonder Woman)
“Dialogue Match is an amazing breakthrough for post production audio. We now have a way of seamlessly matching EQ, reverb, and ambience of ADR to existing production recordings. This takes all the guesswork and time out of mixing ADR into existing production. It’s a huge timesaver. You can’t even tell what is ADR now, it blends so perfectly with production. This is a serious game changer.”
Doug Mountain
Dialogue Editor
(The Walking Dead, Catch-22)
"Dialogue Match gives me more matching control than ever. Having the EQ, reverb, and ambience modules in one window together with the ability to manipulate them all individually is a real timesaver. I also love being able to capture profiles and save them so I don’t always have to go hunting for a character from a previous scene that I need to match into again. There are just so many cool new features!"
Sherry Klein
Re-Recording Mixer
(New Amsterdam, Queen of the South, The Passage)
