It's a treat for us to share stories from fellow members of the iZotope Community. These stories come from people of diverse backgrounds and skills, including top recording artists, producers, mixing engineers, mastering engineers, sound designers, and many more.
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Mark Henry Phillips is the producer, recordist, editor, sound designer, and composer of Homecoming. He shares how he tied everything together.
Stefan Henrix, Supervising Sound Editor for three episodes of Black Mirror Season 3, talks about creating eerie sounds.
Dror Mohar, Supervising Sound Editor of The Circle, talks about his process designing sound for the film, keeping futuristic sounds authentic, and how he used RX.
Learn how the sound department for HBO’s “Westworld” have constructed a duplicity of sonic landscapes, and preserved hours of production dialogue with RX 5.
Learn how the team at The Magic Shop Archival and Restoration Studios relies on RX 5 Advanced to preserve the audio archives of Erroll Garner, Woody Guthrie, The Rolling Stones, and more.
Learn how RX 5 helped sound mixer Ron Bartlett clean up location dialogue and ambient noise from the film Deepwater Horizon.
Grueling athletic events like Tour de France present unique audio challenges that can only be solved through experience, intense work ethic, and a little creative RX'ing
The Sound Supervising Editor behind some of Marvel Studios’ biggest blockbusters is the one rescuing superheroes—from the cutting-room floor.
From PBS Frontline to the FIFA World Cup, the award-winning engineer relies on the RX family of audio post production tools on every job.