It's a treat for us to share stories from fellow members of the iZotope Community. These stories come from people of diverse backgrounds and skills, including top recording artists, producers, mixing engineers, mastering engineers, sound designers, and many more.
Have a great story for us? Tell us on Facebook!
In this interview, Gramatik reveals his recording setup, what plug-ins he relies on, and how he produces songs with live instrumentation in mind.
With Future Islands’ 2017 album The Far Field out, we caught up with producer John Congleton for a behind-the-scenes look at the new record.
Mark Henry Phillips is the producer, recordist, editor, sound designer, and composer of Homecoming. He shares how he tied everything together.
Stefan Henrix, Supervising Sound Editor for three episodes of Black Mirror Season 3, talks about creating eerie sounds.
Multi-instrumentalist Peter Mol of indie-pop band Zerbin talks about making money from music publishing, collaborating on songs remotely, and more.
Owl City talks with iZotope about songwriting on tour, pop music, film scoring, and how he uses RX to rescue old audio.
Dror Mohar, Supervising Sound Editor of The Circle, talks about his process designing sound for the film, keeping futuristic sounds authentic, and how he used RX.
Episode 11 of The New Audio Podcast: Nick Krill talks about the importance of music production as play, chatting with The Chainsmokers, and more.
Aaron Taylor explains why his limitations playing guitar are blessings in disguise and why you should start writing songs with the gear you already own.