It's a treat for us to share stories from fellow members of the iZotope Community. These stories come from people of diverse backgrounds and skills, including top recording artists, producers, mixing engineers, mastering engineers, sound designers, and many more.
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GRAMMY-winning engineer Brian Warwick shares tips for recording a great vocal performance in the studio and at home, his approach using tuning software, and more.
Ben Goldwasser from MGMT talks about his love for iZotope’s VocalSynth, which was used extensively on their new album, Little Dark Age.
Scott Fraser, producer of the new album from Laurie Anderson and Kronos Quartet, talks about the importance of iZotope RX in removing unwanted noise.
In this interview, electronic artist Neon Indian (Alan Palomo) talks about using Trash 2, Iris 2, and his music production setup.
In this interview, Gramatik reveals his recording setup, what plug-ins he relies on, and how he produces songs with live instrumentation in mind.
With Future Islands’ 2017 album The Far Field out, we caught up with producer John Congleton for a behind-the-scenes look at the new record.
Mark Henry Phillips is the producer, recordist, editor, sound designer, and composer of Homecoming. He shares how he tied everything together.
Stefan Henrix, Supervising Sound Editor for three episodes of Black Mirror Season 3, talks about creating eerie sounds.
Multi-instrumentalist Peter Mol of indie-pop band Zerbin talks about making money from music publishing, collaborating on songs remotely, and more.
Owl City talks with iZotope about songwriting on tour, pop music, film scoring, and how he uses RX to rescue old audio.