Supervising sound editors and sound designers from the 2018 Oscar nominees share how they used RX 6 on films like The Shape of Water and Blade Runner 2049.
Not a mastering engineer? No problem. Consider these ten tips your guide for getting a great master on your own, no matter where your expertise lies.
In this interview, electronic artist Neon Indian (Alan Palomo) talks about using Trash 2, Iris 2, and his music production setup.
In this interview, Gramatik reveals his recording setup, what plug-ins he relies on, and how he produces songs with live instrumentation in mind.
The developer of Mouth De-click, iZotope’s principal DSP engineer Dr. Alexey Lukin, describes how it works and what makes it different from other declickers.
With Future Islands’ 2017 album The Far Field out, we caught up with producer John Congleton for a behind-the-scenes look at the new record.
Multi-instrumentalist Peter Mol of indie-pop band Zerbin talks about making money from music publishing, collaborating on songs remotely, and more.
Owl City talks with iZotope about songwriting on tour, pop music, film scoring, and how he uses RX to rescue old audio.
Aaron Taylor explains why his limitations playing guitar are blessings in disguise and why you should start writing songs with the gear you already own.