The developer of Mouth De-click, iZotope’s principal DSP engineer Dr. Alexey Lukin, describes how it works and what makes it different from other declickers.
Mark Henry Phillips is the producer, recordist, editor, sound designer, and composer of Homecoming. He shares how he tied everything together.
Stefan Henrix, Supervising Sound Editor for three episodes of Black Mirror Season 3, talks about creating eerie sounds.
Dror Mohar, Supervising Sound Editor of The Circle, talks about his process designing sound for the film, keeping futuristic sounds authentic, and how he used RX.
Learn about the history of public radio and the evolving roles of broadcasting with insights from Radiolab sound designer Dylan Keefe.
Learn how the sound department for HBO’s “Westworld” have constructed a duplicity of sonic landscapes, and preserved hours of production dialogue with RX 5.
Learn how the team at The Magic Shop Archival and Restoration Studios relies on RX 5 Advanced to preserve the audio archives of Erroll Garner, Woody Guthrie, The Rolling Stones, and more.
Learn how RX 5 helped sound mixer Ron Bartlett clean up location dialogue and ambient noise from the film Deepwater Horizon.
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