Bandmates, producers, and creative collaborators alike—listen up! Here are four essential steps to build trust in any creative relationship.
Today we feature the flanger—one of the more divisive studio effects. Learn how flangers work and when to use them, following along with audio examples.
The developer of Mouth De-click, iZotope’s principal DSP engineer Dr. Alexey Lukin, describes how it works and what makes it different from other declickers.
Mark Henry Phillips is the producer, recordist, editor, sound designer, and composer of Homecoming. He shares how he tied everything together.
Stefan Henrix, Supervising Sound Editor for three episodes of Black Mirror Season 3, talks about creating eerie sounds.
Learn about the history of public radio and the evolving roles of broadcasting with insights from Radiolab sound designer Dylan Keefe.
Learn how the sound department for HBO’s “Westworld” have constructed a duplicity of sonic landscapes, and preserved hours of production dialogue with RX 5.
Neutron's mixing technology is based on years of research, experience design, and sound design. Learn more about how Neutron was developed, and take a peek behind the scenes at iZotope HQ.
Learn how RX 5 helped sound mixer Ron Bartlett clean up location dialogue and ambient noise from the film Deepwater Horizon.
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