Stefan Henrix, Supervising Sound Editor for three episodes of Black Mirror Season 3, talks about creating eerie sounds.
Learn how the sound department for HBO’s “Westworld” have constructed a duplicity of sonic landscapes, and preserved hours of production dialogue with RX 5.
iZotope spoke with eight-time GRAMMY-nominee Martin Nessi about mixing audio in Dolby Atmos and using RX to restore the original Thriller audio.
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