From microphone choice and placement to signal chain, tuning, and much more, read fifty-seven essential dos and don’ts of vocal production.
It’s bound to happen: you toil over an audio mix for hours, but it still doesn’t work. These practical and psychological tips are designed to get you out of the inevitable mix rut.
Not a mastering engineer? No problem. Consider these ten tips your guide for getting a great master on your own, no matter where your expertise lies.
Erika Wennerstrom (Heartless Bastards) has one of the most prominent voices in rock, and it’s never been more evident than on her solo debut, Sweet Unknown.
Australian producer tyDi shares how iZotope’s Ozone 8 and Neutron 2 helped him mix an entire orchestra along with electronic elements on 'COLLIDE,' his new album.
In this video learn from professional audio engineers Dave Kutch and Chris Tabron about choosing the right reference material, when to use meters, and more.
We spoke with Gabe Wax, producer of the new Soccer Mommy album Clean (3/2, Fat Possum), about how Trash 2 was used throughout it.
Here's how Screaming Females producer Matt Bayles used RX and Ozone in making the new album, 'All At Once' (2/23, Don Giovanni).
This blog is designed to help RX 6 owners pick the best version of the software for their needs. Read on for a complete rundown on each upgrade tier: RX Elements, RX 6 Standard, and RX Advanced.
Scott Fraser, producer of the new album from Laurie Anderson and Kronos Quartet, talks about the importance of iZotope RX in removing unwanted noise.
Django Django producer Marta Salogni talks about how RX played a pivotal role in creating their new record, Marble Skies.
Merrill Garbus (Tune-Yards) discusses how they used Nectar to create unique vocal sounds on the their new album, 'I can feel you creep into my private life.'