Dynamic EQ, Erika Wennerstrom’s Vocals, and the 'Sweet Unknown'
Erika Wennerstrom (Heartless Bastards) has one of the most prominent voices in rock, and it’s never been more evident than on her solo debut, Sweet Unknown.
How tyDi used Ozone 8, Neutron 2, and Tonal Balance Control on ‘COLLIDE’
Australian producer tyDi shares how iZotope’s Ozone 8 and Neutron 2 helped him mix an entire orchestra along with electronic elements on 'COLLIDE,' his new album.
Mixing and Mastering Advice with Dave Kutch and Chris Tabron
In this video learn from professional audio engineers Dave Kutch and Chris Tabron about choosing the right reference material, when to use meters, and more.
How Trash 2 Was Used On Soccer Mommy’s New Album, ‘Clean’
We spoke with Gabe Wax, producer of the new Soccer Mommy album Clean (3/2, Fat Possum), about how Trash 2 was used throughout it.
How Screaming Females Used RX and Ozone on their New Album 'All At Once'
Here's how Screaming Females producer Matt Bayles used RX and Ozone in making the new album, 'All At Once' (2/23, Don Giovanni).
Why Upgrade? Comparing RX Elements, RX 6 Standard, and RX 6 Advanced
This blog is designed to help RX 6 owners pick the best version of the software for their needs. Read on for a complete rundown on each upgrade tier: RX Elements, RX 6 Standard, and RX Advanced.
How Scott Fraser Used RX 6 on Laurie Anderson and Kronos Quartet’s New Album, 'Landfall'
Scott Fraser, producer of the new album from Laurie Anderson and Kronos Quartet, talks about the importance of iZotope RX in removing unwanted noise.
How RX Helped Django Django Craft Their New Record, ‘Marble Skies’
Django Django producer Marta Salogni talks about how RX played a pivotal role in creating their new record, Marble Skies.
How Tune-Yards Used Nectar 2 on 'I can feel you creep into my private life'
Merrill Garbus (Tune-Yards) discusses how they used Nectar to create unique vocal sounds on the their new album, 'I can feel you creep into my private life.'