Why upgrade to VocalSynth 2? Read the top reasons, including the new Biovox module, better performance and sounds, and inter-plugin communication.
New to VocalSynth 2 is a module for modulating signals called Biovox. In this blog post, Shahan Nercessian, the developer of Biovox, explains what it is, how it works, and the new manipulation controls that it brings to VocalSynth 2.
Read what’s different about VocalSynth 2’s design, including an animation you can interact with, a reorderable FX chain, and why we made these changes.
The sound designers from It spoke with iZotope about how they built a sense of fear through the creative use of sound.
From Forrest Gump to Terminator 2, these audio post pros share the movies and TV shows that greatly influenced their work.
Three-time GRAMMY-winning audio engineer Paul Hicks shares the top audio repair challenges in remastering George Harrison's catalogue of music, and how he uses iZotope RX.
iZotope spoke with eight-time GRAMMY-nominee Martin Nessi about mixing audio in Dolby Atmos and using RX to restore the original Thriller audio.
The supervising sound editor and dialogue editor for new mystery thriller TV series Mr. Mercedes share how they use RX 6 to repair audio for the show.
Benny Mouthon, sound designer and re-recording mixer of CNN’s Anthony Bourdain: Parts Unknown, shares how he uses RX 6 Advanced on the show.
Sometimes, when faced with unconventional problems in mastering music, unconventional solutions turn out to be the best choices.
In Episode 15 of The New Audio Podcast, iZotope interviews producer/engineer Aaron Bastinielli and mastering engineer Michelle Mancini.
In Episode 14 of The New Audio Podcast, iZotope interviews Twenty Thousand Hertz podcast host Dallas Taylor.