From microphone choice and placement to signal chain, tuning, and much more, read fifty-seven essential dos and don’ts of vocal production.
It’s bound to happen: you toil over an audio mix for hours, but it still doesn’t work. These practical and psychological tips are designed to get you out of the inevitable mix rut.
Not a mastering engineer? No problem. Consider these ten tips your guide for getting a great master on your own, no matter where your expertise lies.
The sound designers from It spoke with iZotope about how they built a sense of fear through the creative use of sound.
From Forrest Gump to Terminator 2, these audio post pros share the movies and TV shows that greatly influenced their work.
Three-time GRAMMY-winning audio engineer Paul Hicks shares the top audio repair challenges in remastering George Harrison's catalogue of music, and how he uses iZotope RX.
iZotope spoke with eight-time GRAMMY-nominee Martin Nessi about mixing audio in Dolby Atmos and using RX to restore the original Thriller audio.
The supervising sound editor and dialogue editor for new mystery thriller TV series Mr. Mercedes share how they use RX 6 to repair audio for the show.
Benny Mouthon, sound designer and re-recording mixer of CNN’s Anthony Bourdain: Parts Unknown, shares how he uses RX 6 Advanced on the show.
Sometimes, when faced with unconventional problems in mastering music, unconventional solutions turn out to be the best choices.
In Episode 15 of The New Audio Podcast, iZotope interviews producer/engineer Aaron Bastinielli and mastering engineer Michelle Mancini.
In Episode 14 of The New Audio Podcast, iZotope interviews Twenty Thousand Hertz podcast host Dallas Taylor.