What do Tron: Legacy, The Exorcist, and Charlie and the Chocolate Factory have in common? Skywalker sound design ace and film composer Steve Boeddeker.
iZotope catches up with philosophers of production, drum and bass giants, and long-time Trash users, Noisia.
Leafcutter John talks to iZotope about Iris, the new Polar Bear record In Each and Every One, and creating a light-triggered MIDI controller made out of cardboard.
When Kevin Lamb discovered iZotope's Iris, he gained a powerful tool that allowed him to take his vision for new sounds even further.
Senior mastering engineer Greg Calbi talks about the music legends he's worked with and the method he has used to optimize sound quality on more than 7,500 albums since 1973.
Long-time recording studio owner Matt Boudreau shares how he uses iZotope's complete audio repair software, RX, to clean up SFPD's undercover audio recordings.
GRAMMY-winning engineer Darrell Thorp shares with iZotope how putting himself in a position of learning attributes to his success.
Skrillex catches up with iZotope and shares how he swears by Ozone for "tightening up your mix," and loves to mess around with Trash.
Producer and programmer Atticus Ross talks with iZotope about using Ozone, Spectron, and Trash on his latest records.