The fun has only just started for these artists after the initial recording or filming is done.
Music scoring mixer Alan Meyerson proves that sometimes a little Trash can make the orchestra shine.
A letter from Bill Jackson, re-recording mixer, explains his discovery of RX and the transformation of dialogue audio for HBO's Entourage.
No one works with crabbier audio than Bob Bronow, the two-time Emmy-winning sound mixer for Discovery Channel's Deadliest Catch.
With his long list of credits and a little help from RX, Dialogue Editor Christian Buenaventura helped give Daredevil the dark sonic atmosphere that keeps fans coming back each episode.
Grueling athletic events like the Tour de France present unique audio challenges that can only be solved through experience, intense work ethic, and a little creative RX’ing.
A veteran of high-end digital recording and mixing, Frank Filipetti talks about saving Andrea Bocelli with RX and using Ozone as a pre-mastering tool.
Emmy-winning sound mixer for LOST and Copper gives a sneak peek into The Disney Vault while discussing his love for RX.
Mixer/composer Mark Henry Phillips' arsenal of audio techniques have helped transform the hugely popular Serial podcast from an auditory-only medium into a multisensory, tactile experience.
Long-time recording studio owner Matt Boudreau shares how he uses RX for forensics, cleaning up the SFPD's undercover audio recordings.
Dialogue editor Ray Beentjes shares how iZotope’s audio repair toolkit is a "game changer" for on-location dialogue for the Lord of the Rings and Hobbit trilogies.
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