In this interview, Gramatik reveals his recording setup, what plug-ins he relies on, and how he produces songs with live instrumentation in mind.
In Headroom Episode 5, Jonathan is joined by our Principal DSP Engineer Alexey Lukin to discuss advanced audio repair, enhancement, and noise reduction strategies.
With Future Islands’ 2017 album The Far Field out, we caught up with producer John Congleton for a behind-the-scenes look at the new record.
Mark Henry Phillips is the producer, recordist, editor, sound designer, and composer of Homecoming. He shares how he tied everything together.
Stefan Henrix, Supervising Sound Editor for three episodes of Black Mirror Season 3, talks about creating eerie sounds.
Multi-instrumentalist Peter Mol of indie-pop band Zerbin talks about making money from music publishing, collaborating on songs remotely, and more.
Owl City talks with iZotope about songwriting on tour, pop music, film scoring, and how he uses RX to rescue old audio.
Dror Mohar, Supervising Sound Editor of The Circle, talks about his process designing sound for the film, keeping futuristic sounds authentic, and how he used RX.