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| FEATURE | OZONE 5 | OZONE 5 ADVANCED |
COMPONENT PLUG-INS |
Equalizer component plug-in |
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Maximizer component plug-in |
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Dynamics component plug-in |
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Reverb component plug-in |
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Stereo Imaging component plug-in |
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Exciter component plug-in |
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Insight component plug-in, iZotope's essential metering suite | Learn more about Insight |
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METER BRIDGE |
Full-screen configurable Meter view |
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Undocked Vectorscope with Stereo Balance/Correlation meters |
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ITU BS.1770-2 and EBU R128 stereo Program Loudness metering |
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Spectrum view with separate configuration options from the EQ's spectrum |
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Meter Tap plug-ins for routing audio streams from buses/tracks to Ozone's spectrogram |
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Ability to see multiple meter streams overlaid on 2D or 3D spectrogram |
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Scrolling 2D spectrum with overlay, stack and tile modes |
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EQUALIZER |
Analog-matched frequency response for all filter types |
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Vintage Low and High Shelf filters with variable "Cut" control |
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Extra-steep "brickwall" analog Low- and High-Pass filters |
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Flat Low- and High-Pass filters with variable slope |
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New Snapshots panel with easier EQ snapshot workflow |
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Improved, simplified Matching EQ feature |
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Mini Info Panel for easy access to active EQ band's settings |
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Ability to zoom by time and frequency for precise equalization |
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Separate EQ settings for left/right channels |
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Second Post EQ in signal chain for post-dynamics/exciter shaping |
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Zoomable spectrum in EQ |
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New Spectrum options including Left/Right and Mid/Side modes |
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Phase Response, Phase Delay and Group Delay plots |
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Analog filter shapes in Digital EQ mode (linear and mixed phase) |
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Mixed-Phase EQ: vary between minimum, linear and maximum phase per band |
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MAXIMIZER |
IRC III Limiting mode: new psychoacoustic algorithm with transient preservation |
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Gain Reduction Trace view: shows gain reduction over time |
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Spectrum view |
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Stereo Link: allows variance between fully independent left/right limiting and linked limiting |
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Transient Recovery: introduces transient shaping to preserve sharp attacks |
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DITHER |
Additional Dither noise-shaping curves |
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Dither Shape view |
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EXCITER |
Improved sound quality in all Exciter modes |
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Natural-sounding Peak Saturation: adds harmonics without drastic gain changes |
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Post-Saturation High Shelf filter: for additional harmonic shaping |
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Saturation Spectrum display: shows excitation by frequency |
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Refined Tube, Tape, Retro, and Warm algorithms |
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Oversampling mode prevents aliasing |
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Circuit-modeled Triode and Dual Triode Exciter modes |
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STEREO IMAGING |
New Vectorscope modes: Polar Level, Polar Sample |
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Anti-phase prevention |
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Stereo Width Spectrum view |
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Correlation Trace view shows mono-compatibility over time |
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Stereo Balance meter |
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Phase Rotation allows phase fine-tuning to optimize asymmetrical waveforms' loudness |
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Stereoize mode: natural sounding, mono-compatible widening for narrow/mono sources |
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DYNAMICS |
Greatly-improved workflow includes always-visible Attack and Release controls |
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All Bands mode shows most crucial controls for every band in one view |
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Gain Reduction Trace shows dynamics characteristics superimposed on waveform |
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Interactive Threshold provides intuitive control over all dynamics stages |
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Improved Gain Reduction meter with input/output and overlaid histogram options |
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Hard/Soft Knee selection |
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New upward compression boosts levels as they fall below the threshold |
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Limiter Boost pushes up threshold-crossing levels when Limiter ratio is set to the left |
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Variable Knee control for each Dynamics stage and each band |
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True Envelope detection algorithm: flat frequency response and low distortion |
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Detection circuit High Pass filter with variable slope and frequency |
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"Tilt" mode (similar in style to the "API Thrust" detection circuit filter) |
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REVERB |
New Modeled Reverb algorithm: provides realistic early reflections with smooth decay |
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Improved Plate and Room modes and new Hall mode |
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3 additional modeled spaces: Theater, Cathedral and Arena |
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Independent control over early reflections |
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Cross-mix control for more control over stereo image |
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PRESETS AND ROUTING |
All Global Presets updated to take advantage of new DSP and features |
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Many new genre-specific presets added to Global Presets |
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Improved Amount controls make adjusting presets simple |
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Module Presets: each mastering module has dedicated preset saving and loading |
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Over 80 new Module Presets included |
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Select independent or shared crossovers for multiband modules |
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Move Module Presets between Ozone Advanced and Ozone Advanced's components |




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